Japan Magazine – Nihonsun http://nihonsun.net/ Mon, 18 Oct 2021 00:48:10 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://nihonsun.net/wp-content/uploads/2021/06/icon-2-150x150.png Japan Magazine – Nihonsun http://nihonsun.net/ 32 32 The success of the Chattanooga Motorcar Festival amplified by Pace Grand Prix at the Bend, round tables https://nihonsun.net/the-success-of-the-chattanooga-motorcar-festival-amplified-by-pace-grand-prix-at-the-bend-round-tables/ https://nihonsun.net/the-success-of-the-chattanooga-motorcar-festival-amplified-by-pace-grand-prix-at-the-bend-round-tables/#respond Mon, 18 Oct 2021 00:48:10 +0000 https://nihonsun.net/the-success-of-the-chattanooga-motorcar-festival-amplified-by-pace-grand-prix-at-the-bend-round-tables/

The 2021 Chattanooga Motorcar Festival eclipsed its inaugural event in 2019 with wheel-to-wheel races on the all-new approximately two-mile Grand Prix Pace at the Bend Circuit, special displays of important, exotic and valuable cars in addition to those featured at the Concours d’Elegance, a challenging West Village Road rally through lush Tennessee countryside, and dozens of family activities and street festivals.

This year’s festival, which was canceled in 2020 due to the pandemic after a successful launch in 2019, was known as the Chattanooga Motorcar Festival – hosted by the Fifty Plus Foundation presented by DeFoor Brothers, sponsored by Volkswagen and Chattanooga Coca-Cola Bottling Company, powered by EPB.

Funds raised through the Festival support the creation of a research space at CHI Memorial, including the purchase of a state-of-the-art system that will be used to research the performance of robotic-assisted thrombectomies, a procedure that eliminates the blood clots from inside an artery or vein. Through this space, CHI Memorial will generate the next 10+ years of medical breakthroughs in neuroscience overseen by Dr. Thomas Devlin, MD and PhD.

Proceeds will also support the NeuroScience Innovation Foundation in Chattanooga, which incubates cutting-edge biomedical technology and accelerates patient access to the latest medical advances for people in this region and the world.

A tribute to Jim Pace, event president and chief operating officer of the first 2019 festival who died of COVID-19 in 2020, was held at the Grand Prix Pace at Bend, named in his honor, where a fleet of cars from racing Lola paraded past the podium as friends, family and race dignitaries remembered the popular Mississippi motor racing driver known for his Southern charm.

Pace’s good friend Russell Gee looked up and asked everyone to “look at the sky” as a heavenly script plane spelled out “Pace” kissed by a heart, and flags were fluttering, emblazoned with the words ” The Pace Grand Prix at the turn ”.

“Chattanooga is probably not the biggest city in the country, and it’s certainly not the richest, but it has a big heart like Jim Pace,” said Byron DeFoor, founder of the Festival. “For all the family that came, we have these flags for you. Thank you very much for coming. We want this racetrack to live on forever. Hope this is the case.

The new race track in the heart of Chattanooga hosted seven classes of vintage, historic and contemporary racing cars competing for 20 minutes over three races over two days, doing door-to-door races as they competed for the trophy of the winner.

A highlight of the weekend was the Gathering of the Greats – Ferrari Edition, showcasing the world’s most important Ferraris, many of which haven’t been seen anywhere else, like the 1948 Ferrari 166 Spider Corsa, a Ferrari 250 Monza from 1954, a Ferrari from 1967 275 GTB / 4S NART Spider and a 288 GTO from 1985.

The West Village Road Rally, held on Friday and Saturday, produced winners Robert and Casey Albertson in their 2009 Lamborghini Gallardo and Ashley and Riley O’Donald in a 2020 Mazda MX5 RF.

Sunday’s Concours d’Elegance took place under sunny skies and warm temperatures, creating a buzz across West Village as award-winning cars took the ramp to the stage to receive their prizes. The carved trophies were designed by local artist Cessna Decosimo.

Click here for the list of the best winners of the Concours d’Elegance

The Timeless Elegance Award went to Jack Boyd Smith’s 1936 Packard 12, and the People’s Choice was a 1950 Buick Special owned by Jeff Hardin.

The Best of Show was won by a 1967 Ferrari NART Spyder belonging to the Rare Wheels Collection. “We’re ending this year’s Festival with one of the best cars in the world,” said presenter Wayne Carini. “Luigi Chinetti’s vision was to bring the roof down on a 275. They made 10 of these cars. It is probably the only silver that has been built. It deserves the best of the show.

“We did it,” said event founder Byron DeFoor. “The city has been very good for us. Thank you all for coming to Chattanooga and supporting the event and supporting the neuroscience and finding a cure for Alzheimer’s disease, Parkinson’s disease and stroke.

“It’s also about the cars and everyone who comes to Chattanooga. We had a great show, at the Grand Prix Pace at the Bend and here in West Village at the Concours d’Elegance. Thank you all for believing in our event, in our cause and for participating in all the activities.

DeFoor then presented the Chairman’s Award to contest director Ken Gross. “It’s totally unexpected,” said Gross, an award-winning automotive journalist. “One of the reasons I said yes to Byron to help with this event is that the profits go to neuroscience research, Dr. Thomas Devlin and his researchers. Thought these are great people, a great cause, and I’m as long as you want.

Racing and automotive celebrities were on hand to support the event by interacting with fans, signing autographs, participating in panel discussions on topics such as Barn Finds, Porsche’s Legacy, the Tucker and Racing as TV Entertainment.

Corky Coker was the Grand Marshal and Brian Redman the Grand Ambassador. Racers and racing personalities Justin Bell, Alain de Cadenet, Ray Evernham, Tanner Foust, Derek Hill, David Hobbs, Scott Speed, Lyn St. James and Linda Vaughn joined automotive experts Wayne Carini, Tom Cotter, Ken Gross, Bill Rothermel, Keith Martin and Mike Tillson to discuss a range of automotive topics at panel discussions and present onstage awards.

Here are some quotes from celebrities who are visiting for the first time:

Justin Bell: “I didn’t even know where Chattanooga was, and yet when I got the chance to come I was so excited. Everyone praised their first visit here. Coming here, seeing the cars, the amazing people, was great. Everyone is so friendly. I had no idea. It is an event that is definitely on the automotive map now. I’ll be back!”

Lyn St. James: “This is my first time going to the Chattanooga Motorcar Festival. I didn’t know what to expect, to be honest. I am amazed. I am amazed at how many things are happening at the same time. It gives people the chance to experience an auction, to experience a car race, to experience an assembly of cars – Ferrari, Lamborghini – and it all happens here in the West Village area. They have music. They have it all here. It is literally a festival of cars.

Ray Evernham: “The Chattanooga Motorcar Festival was a phenomenal event for me. I spent a few days on the race track having a blast. They built a race track, which amazes me. This morning here at the Concours I saw some amazing cars that I normally only see in a magazine. This is an event not to be missed !

Derek Hill: “Being here at the Chattanooga Motorcar Festival is one of the best historic racing contests and events I have attended. The people are so nice here in the south and Tennessee. There is an incredible collection of cars. It is an exciting place. I love Chattanooga. My first time here! ”

And some of those who were at the inaugural 2019 event:

Cork coking: “In 2019, the idea for the Chattanooga Motorcar Festival was born from Ken and Byron DeFoor, and they made that dream come true. We’ve created vibrations in the automotive world – around the world, quite frankly. All the way to Europe and Japan, and everyone was waiting for 2020. Obviously 2020 didn’t happen, but in 2021 Byron and I got together and envisioned a two-mile course. Byron called Dana Mecum and got the Mecum auction here, so this year has been absolutely amazing. Crowds. Everyone to one person said, “Chattanooga is amazing. The planning and idea of ​​coming to a downtown competition was wonderful. We return!'”

David Hobbs: “I thought the tribute to Jim Pace had been very, very well managed, indeed. Brian Redman opened the proceedings with a few very good remarks. It was as funny as it was moving. Byron ended the process with just a few words of his own, which were also very appropriate, very good. Overall it was great. We had the skywriter who wrote Jim’s name in the sky with a heart, which was very touching. “

And one from a first-time visitor to Nashville, Tenn. :

Susan Lane: “I am really impressed with what I see here at the Chattanooga Motorcar Festival. Chattanooga isn’t known as a car town, but people really enjoy the Contest. There is great diversity with age, gender, race. People have fun chatting with the people who brought their cars. People share the history of their cars. It’s just a beautiful day to be in Chattanooga.

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Star-powered pitch on display as FINA World Cup prepares to move to Doha https://nihonsun.net/star-powered-pitch-on-display-as-fina-world-cup-prepares-to-move-to-doha/ https://nihonsun.net/star-powered-pitch-on-display-as-fina-world-cup-prepares-to-move-to-doha/#respond Sat, 16 Oct 2021 13:30:00 +0000 https://nihonsun.net/star-powered-pitch-on-display-as-fina-world-cup-prepares-to-move-to-doha/

Star-powered pitch on display as FINA World Cup series ready to move to Doha

The next stop in the FINA World Cup series is slated for next week, with a short course competition taking place in Doha from October 21-23. The three-day event follows the series’ first two stops, which took place in Berlin and Budapest. Doha shutdown expected to feature some of sport’s biggest names, with Australian stars Emma McKeon and Kyle chalmers again at the top of the list of athletes.

In Budapest, McKeon produced one of the best performances of the series, setting the second time in history in the 100-meter freestyle. Reigning Olympic champion in the 50 freestyle and 100 freestyle, McKeon clocked a time of 50.58 for the 100 freestyle, which was only surpassed by his compatriot Australian’s world record of 50.25. Celine Campbell.

Chalmers has been a major factor in the 100 freestyle and 200 freestyle during the World Cup season, with a pair of superb head-to-head matches unfolding between the Australian and the rising South African star. Matthew Sas at 200 free. The men have divided their clashes in Europe and are expected to face each other again in Doha, this time with Sunwoo Hwang, the South Korean upstart, joining the mix. Hwang was a finalist in the 100 freestyle and 200 freestyle at the Olympic Games last summer in Tokyo.

Japan’s Daiya Seto, world record holder in the 400 individual medley, is also scheduled for Doha. American tastes Tom shields and Blake pieroni are listed on the entry lists, with the Russians Yulia Efimova and Vladimir Morozov and the Dutch stars Arno Kamminga and Ranomi Kromowidjojo.

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Farmers seek to re-engage in CPTPP https://nihonsun.net/farmers-seek-to-re-engage-in-cptpp/ https://nihonsun.net/farmers-seek-to-re-engage-in-cptpp/#respond Fri, 15 Oct 2021 15:51:13 +0000 https://nihonsun.net/farmers-seek-to-re-engage-in-cptpp/

Farmers involved in a virtual Farmers for Free Trade Roundtable on October 14 representing corn, pork, beef and dairy farms, all supported a more multilateral approach to trade, such as reintegrating the ‘Comprehensive and progressive agreement for the trans-Pacific, the predecessor of the TPP. An inward approach could leave American producers behind while others continue to work to advance trade agreements.

Darci Vetter, a former US agricultural trade negotiator under the Obama administration and active in negotiating the agricultural provisions of the Trans-Pacific Partnership, moderated the discussion which underscored the need for this Biden administration to be proactive in negotiating access. additional to agricultural markets so as not to fall behind.

Joseph Glauber, senior researcher at the International Food Policy Research Institute and former chief economist of the USDA, explains that over the past three decades, U.S. agricultural exports have skyrocketed, especially for meats.

For example, in the 1990s only 6% of poultry was exported, while today it accounts for 16-17% of total exported production. The United States was previously a net importer of beef. Now that markets are opening up in Asia, beef exports have grown from 4% to over 12% in recent decades. The history of pork is staggering, rising from just 2-4% of national exported production to currently over 25% of pork. Dairy products were previously dumped from surplus products into the world market, and exports account for over 16% of total milk solids production in 2020.

Southeast Asia, which has seen many countries participate in the current CPTPP deal, offers enormous market potential for US agricultural exports. And with the news that China, UK, Korea and Taiwan are looking to secure that deal, it might be even more important that the US is at the table as well.

Howard “AV” Roth, Jr., former chairman of the National Pork Producers Council and a fifth generation farmer who owns and operates Roth Feeder Pig, Inc. in Wauzeka, Wisc., Says that when the CPTPP came into effect in Japan, the pork producers began to lose market share quickly. While the Trump administration was able to negotiate a mini-deal with Japan to minimize these losses, other countries could quickly pull the growth potential of U.S. producers in the Southeast Asia region.

Roth says it’s imperative for the administration to focus on expanding markets, especially in Southeast Asia. Vietnam unilaterally lowered tariffs on pork, and since then U.S. pork exports have increased 150% in the first seven months of the year. While market access wins are important, Roth says we should focus on returning to CPTPP and encouraging the administration to start broader market access negotiations.

Those looking to enter the CPTPP are huge markets for pork producers, says Roth. “We have to be there with our competition. As these rules form, Roth says it’s important the United States is at the table as new countries arrive.

Related: It’s time to adopt a new business strategy

Vetter said from her experience as a negotiator during the TPP, one of the things discussed was the ability of the multilateral agreement to be a magnet. Other countries see the benefit of being part of this “club” to get the tariff advantages, and they are ready to adopt some of these rules on labor, environment, intellectual property and protection.

“This magnet seems to be working, but we’re not currently inside,” Vetter says.

Glauber says that the idea of ​​going from country to country and trying to counter the market access problems the United States has suffered by not being part of the CPTPP as it is with Japan will be very timely. He hopes the Biden administration will begin to look outward and seek potential re-engagement in the region. We were instrumental in creating the architecture of the TPP, which has now become the CPTPP.

“I think it may take a little while for the administration to start doing it, but hopefully within a year or so we’ll start to see changes in that direction,” Glauber said. “Otherwise, I think you might be really falling behind. “

Doug Chapin, Michigan dairy farmer and president of the Michigan Milk Producers Association, says U.S. exporters face increasingly uneven playing field as the European Union and New Zealand continue to strike new deals trading with key markets while the United States lags behind.

“Besides updating the USMCA to NAFTA, the latest new US free trade agreements came into effect almost ten years ago and negotiations took place even earlier than that,” said Chapin. “We seem to either assess or sometimes negotiate deals, but fail to implement comprehensive new trade deals that eliminate tariffs on our exports.”

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Book Review – Tokyo Junkie: 60 Years of Bright Lights and Alleys … and Baseball https://nihonsun.net/book-review-tokyo-junkie-60-years-of-bright-lights-and-alleys-and-baseball/ https://nihonsun.net/book-review-tokyo-junkie-60-years-of-bright-lights-and-alleys-and-baseball/#respond Thu, 14 Oct 2021 05:22:59 +0000 https://nihonsun.net/book-review-tokyo-junkie-60-years-of-bright-lights-and-alleys-and-baseball/

Author: Robert Whiting –
Publisher: Stone Bridge Press

I have never been to Japan, but this is the only place I would like to go.

I find the culture fascinating and the food is my favorite.

When I found the Tokyo Junkie book, I focused on that part of the title and didn’t focus on the other part with the words… and Baseball.

I probably should have.

I’ve never heard of Robert Whiting before, but he’s written three other books, two based on baseball, The Chrysanthemum and the Bat and You Gotta Have Wa, and a Japanese criminal gang book, Tokyo Underworld.

You must have cojones to write a book like this.

Robert Whiting was introduced in Tokyo in 1962 when he was a 19-year-old GI from a small town in California.

Japan at that time “was still struggling to recover from the damage caused by the defeat of World War II.”

But the city hosted the 1964 Olympics and construction was in full swing.

Whiting says, “I had come to what someone would later describe the biggest construction site in the world.

The Olympics were a huge success, and Life magazine called them “the greatest Olympics of all time”.

Seems familiar?

Whiting’s military service was drawing to a close and he had some decisions to make, but he also sensed a change in the mood of the city.

There was resentment towards foreigners, “too much gaijin”.

But that did not deter Whiting who decided to stay.

He enrolled in Sophia University and lived in a small Japanese unit with no heating or hot water.

He knew Tokyo was going to be “a force to be reckoned with.”

He worked as an English teacher, worked for the Encyclopedia Britannica (for you young people, these are books that we used for information, before Google) before becoming an author.

He moved to New York for a while, but found it “Less Breakfast at Tiffany’s and more Midnight Cowboy”.

He wrote about Japanese baseball and met many American players who went to play in Japan.

He met his wife who worked for the UN and had to travel around the world but he always ended up returning to Tokyo.

On his seventy-seventh birthday he reflected on the changes he had seen in Tokyo over the past fifty years and “that very few are left in Tokyo older than me, given the way which this city continues to renew “.

This book does not glorify Tokyo at all.

Besides traffic, bureaucracy, gender equality, “questions about press freedom, widespread cronyism in politics and a government too often embroiled in scandals.”

While I didn’t like all of the baseball references, as I’m not a fan, I found the politics interesting.

In Japan, politics and sport are sure to mix, it seems.

The descriptions of the Tokyo underworld were also fascinating – this guy met some interesting characters.

The story chronicles the personal changes of the two Whiting since their arrival at the age of 19, along with the transformation larger than the city of Tokyo since the early 1960s.

He recounts with great insight the preparation for two Olympic Games.

Kim backdon
The reluctant literary critic

I have to say it was hard to reconcile my idea of ​​what Tokyo is like today with the one Whiting moved to in the 1960s, which was “infested with rats … 40% of Japanese had tapeworms … no tapeworms. ambulances, and infant mortality was twenty times what it was. it’s today.”

What a metamorphosis.

It is worth reading.

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Toybox Projects presents the first edition of the Toybox fair with TRILL-DAN, TEN-SIN, ZEROSHIKI and Dazedgarden • AVO Magazine https://nihonsun.net/toybox-projects-presents-the-first-edition-of-the-toybox-fair-with-trill-dan-ten-sin-zeroshiki-and-dazedgarden-avo-magazine/ https://nihonsun.net/toybox-projects-presents-the-first-edition-of-the-toybox-fair-with-trill-dan-ten-sin-zeroshiki-and-dazedgarden-avo-magazine/#respond Wed, 13 Oct 2021 01:49:31 +0000 https://nihonsun.net/toybox-projects-presents-the-first-edition-of-the-toybox-fair-with-trill-dan-ten-sin-zeroshiki-and-dazedgarden-avo-magazine/

Malaysia-based Toybox Projects will present an online performance event called Toybox Showcase, where four independent Japanese groups will perform. This event will take place on Saturday October 16 on the YouTube channel Toy box projects He is free to see.

The first edition of the Toybox Showcase starts at 3 p.m. JST, which is 8 a.m. in the Netherlands and 7 a.m. in the UK, which means it’s the perfect breakfast show.

For the first part of the Toybox Showcase, they invited four Japanese rock groups to perform at the Yoyogi Labo Live Theater in Tokyo. The performance teams are TRILL-DAN, TEN-SIN, ZEROSHIKI and Dazedgarden. The group is made up of veteran groups who have performed in Japanese live roles several times and some of the groups have already toured overseas.

Toybox Showcase is a program that focuses on various aspects of the Japanese entertainment scene and its performers. Through interviews, live broadcasts and highlights, you’ll learn the ins and outs of J-Entertainment, available exclusively on the Toybox Projects YouTube channel.


A rock trio composed of guitarist Gwan, bassist Maru and singer Jiva. Often described as a mix of rock and roll and punk, TRILL-DAN has a wild and fierce fighting spirit with a touch of unpredictability in his style. The group’s first commercial album Megabasutarizumu, released in 2007, produced by Kiyoharu (former lead singer of Kuroyume & Sads). The group toured in Europe, including a show at Japan Expo Paris in 2009.

Tin sin

The rock quartet TEN-SIN was founded in 2009 by two brothers from Kochi, Yuchi and Kohei. Later, Ogi and Hikari joined the group to complete it. Operating under the band name Tenderly Thingummy, they released one album and two mini-albums before changing the band’s name in 2014. Oji retired from the band later that year and was replaced by Fujisawa. The group is still as strong as ever, armed with guitar brotherhoods crisscrossing left and right with American rock as the spearhead, a well-cut rhythm section, and a lyrical vocal melody. From afar in Tokyo, the group remembers their hometown and sings the sound that Kochi cherishes.


Alternative rock band, ZEROSHIKI was founded by bassist Mugi in 1998, and was originally called Hyakushiki. In 2005, he changed the name to ZEROSHIKI to indicate that the band members started from scratch. However, everyone at ZEROSHIKI has extensive experience, not only in Japan, but all over the world, with large local and international groups. After some member changes, ZEROSHIKI released their EP in April 2017, Meeting, of. That same year, they also tour Japan in August and the west coast of the United States in December. In May 2019, the music video of 朧 (RO) chest. This took the group to the next level. At the end of the same year, they also toured Europe with Define Me (from Czech Republic), organized in part by AVO magazine.


Tokyo-based rock band Dazedgarden has grown in popularity for their original songs written and composed in a nostalgic sound far beyond alternative or metal with strong, natural lines and melody. Singer Ryuna Nishiyama writes her poetic lyrics that grab your heart and get stuck in your head. As a four-piece group consisting of Ryuna Nishiyama on guitar and vocalist, Hideki Nanba on guitar and Tenji Nagano on bass, the group is known for their frantic and fiery movements on stage. Dazedgarden recently released an album titled white echoIt consists of a mix of remastered songs and a new song.

More Toybox projects

Toybox Projects is a multinational company engaged in multi-entertainment, multimedia and various Kuala Lumpur-based projects related to Japanese culture and entertainment. Their goals are to rekindle the Japanese wave in the region, introduce exciting new forms of Japanese culture, and strengthen ties between Japan and Malaysia through a range of cultural projects.

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Flashtalking is recruiting two seniors in Asia https://nihonsun.net/flashtalking-is-recruiting-two-seniors-in-asia/ https://nihonsun.net/flashtalking-is-recruiting-two-seniors-in-asia/#respond Mon, 11 Oct 2021 17:53:59 +0000 https://nihonsun.net/flashtalking-is-recruiting-two-seniors-in-asia/

Flashtalking by Mediaocean has announced two appointments aimed at strengthening the team in Japan and Asia-Pacific.

Tiffany Foxwell has been appointed as the new Head of Client Services, JAPAC, while Eva Ericksen will be Head of Creative Development, JAPAC.

The hires follow the recent acquisition of Flashtalking by the global omnichannel advertising platform Mediaocean.

Foxwell was previously Commercial Director, Australia and New Zealand, and former Commercial Director, EMEA at Innovid. She will lead the customer services team for Flashtalking by Mediaocean in the JAPAC region – encompassing campaign, operations and account management.

“I am delighted to join the team working on Flashtalking by Mediaocean at such an important time. The combination of the company’s technologies and services is bringing a significant change for the industry in advertising and omnichannel measurement and I am incredibly excited to be a part of this journey and to have these conversations with our customers, ”said Foxwell.

Ericksen started his career as a creative developer at MediaForge when it was acquired by Rakuten. While at Rakuten, she oversaw the creation of the APAC region for over five years.

She will oversee creative production and manage creative training, quality assurance and customer support in Australia, New Zealand, South East Asia and Central Asia. She will work closely with brands and agencies to determine feasibility and production execution requirements on various projects.

“Being part of Flashtalking by Mediaocean is a very proud moment for me in my career,” said Eva Ericksen.

“I try to live my life and work mindfully while keeping specific goals, which I think will go hand in hand with my creative responsibilities within the company. I can’t wait to start helping brands and agencies in the region reach their full potential.

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Evans and Norrie progress in the Californian heat https://nihonsun.net/evans-and-norrie-progress-in-the-californian-heat/ https://nihonsun.net/evans-and-norrie-progress-in-the-californian-heat/#respond Sun, 10 Oct 2021 09:53:39 +0000 https://nihonsun.net/evans-and-norrie-progress-in-the-californian-heat/

From a British perspective, Dan Evans, Cameron Norrie and Andy Murray are the center of attention at the BNP Paribas Masters events in Indian Wells, all three having claimed victories in their opener.

It was satisfying to see how I dealt with the adversity a bit after the first set and missed a few opportunities to pick myself up, so it was good to be successful in a good tough game. Dan Evans

Murray got the ball rolling two days ago and today, Sunday, will face growing young Spaniard, 30-seeded Carlos Alcaraz and Rafa Nadal’s protégé, for a third-round spot where Alexander Zverev is expected to receive. the winner. .

Evans and Norrie advanced to the third round on Saturday after being seeded as seeded in the first round and then defeating Kei Nishikori and Tennys Sandgren in straight sets, respectively.

For Evans, seeded 18, the 4-6 6-3 6-4 win was very satisfying as it was the first time in eight years that the Briton beat the Japanese player who, before this encounter, led 3-1 in their win-loss record.

Currently ranked 22, Evans, 31, could well enter the top 20 for the first time in his career if he continues his run but he will then face 11th seed Diego Schwartzman who will undoubtedly offer him a greater challenge. . despite the Argentine hurting his own victory by beating US qualifier Maxime Cressy 6-2 3-6 7-5.

Former world number 4 and US Open finalist Nishikori is currently ranked 53 and remains a serious threat wherever he is in the draw, as he showed in the first set.

Evans, however, used his chip returns wisely to make his breakthrough in Game 6 of the second set and held his ground in the decider before taking the initiative in Game 7 to claim the win after nearly three hours, saving two breaking points in the deal.

“The heart sinks a bit when I see Kei’s name waiting to appear,” Evans said later with a smile. “The conditions don’t really bother me. I like it, but it was a tough draw.

“It was satisfying to see how I dealt with the adversity a bit after the first set and missed a few opportunities to pick myself up, so it was good to be successful in a good tough game.”

Cameron Norrie is going through what he described as a strange match

Clive Brunskill / Getty Images

21-seeded Norrie, who lost to Casper Ruud in the San Diego final last weekend, avenged his 2019 loss in Auckland to the American in their only previous encounter, 6-4 5- 7 6-0.

He appeared to be cruising as he opened up a 5-1 lead, but failed to convert any of the three setpoints he held and had to dig deep to prevent Sandgren from leveling the first game .

Sandgren kept himself in contention winning the second set, but then collapsed into the decider as Norrie advanced to the third round and a meeting with Spaniard Roberto Bautista-Agut, the 15th seed who has sent the Argentine Guido Pella 7-5 6-3.

Speaking to Amazon Prime, Norrie admitted it had been an odd game.

“I had a 5-1 lead, I think it was 0-40, and he managed to make it look like he wasn’t that interested, and then he was interested.

“I had a lot of chances in the second, then he came back to me. It’s good to have the first game under my belt and then I played pretty solid in the third set.

“Definitely a lot to work on. I don’t think I did a lot of good today other than fighting for every point.

Daniil Medvedev shakes hands at net after straight set win over Mackenzie McDonald

Clive Brunskill / Getty Images

In other matches, US Open champion Daniil Medvedev defeated American Mackenzie McDonald 6-4 6-2 to advance to the third round.

The Russian world number two didn’t face a break point and converted three of his seven break opportunities against the American to finish in 72 minutes.

“I’m actually very happy because usually I haven’t played well at Indian Wells and I haven’t played well in practice before (the tournament),” said Medvedev, who had a game-winning game. -defeat 3-3. record of his previous appearances.

“Really happy with my performance,” he added. “It’s the most important, no matter how I played before the tournament.

“Mackenzie is a really strong opponent, he can put pressure on anyone. I’m glad I finished quickly enough.

Medvedev’s next player is Serbian Filip Krajinovic, 27th seed, who beat American Marcos Giron 7-6 (7-2) 7-5

Eighth seed Hubert Hurkacz knocked out Australia’s Alexei Popyrin 6-1 7-5 who fought hard in the second set, breaking the pole as he tried to serve for the game at 5-4 but could not recover.

Hurkacz will face Frances Tiafoe in the round of 16 after fellow American Sebastian Korda sent 6-0 6-4.

More success for the host country thanks to Reilly Opelka as the 16th-seeded 11 aces in a 7-5 6-3 win over Japan’s Taro Daniel to reach the third round.

Canadian Vasek Pospisil was forced to retire in his opening set against compatriot Denis Shapovalov, ninth-seeded, while sixth-seeded Norwegian Casper Ruud, San Diego champion last week, quickly got the job done. of Spaniard Roberto Carballes Baena 6-1 6-2.

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Kishida has no time to waste as stories of failing middle class hit the stands https://nihonsun.net/kishida-has-no-time-to-waste-as-stories-of-failing-middle-class-hit-the-stands/ https://nihonsun.net/kishida-has-no-time-to-waste-as-stories-of-failing-middle-class-hit-the-stands/#respond Sat, 09 Oct 2021 00:45:07 +0000 https://nihonsun.net/kishida-has-no-time-to-waste-as-stories-of-failing-middle-class-hit-the-stands/

In a September 30 speech outlining his political program, Fumio Kishida, the newly elected Liberal Democratic Party chairman and pending prime minister, described a strategy he dubbed “the Reiwa-era revenue doubling plan. “.

The “doubling of incomes” is a not-so-subtle reference to the plan put forward by then-Prime Minister Hayato Ikeda in 1960. He would retire four years later, but under his successor, Eisaku Sato, the economy Japanese continued to exceed 10%. annual growth and its gross national product has doubled in less than seven years.

Kishida, stating that as long as the fruits of growth “focus only on certain people … we cannot establish a healthy business cycle,” pledged to redistribute wealth by raising people’s wages “so that more can join the middle class “.

magazine offers homeless people the opportunity to earn legitimate income. | KYODO”/>
A man struggles to sell The Big Issue magazine in Osaka amid the pandemic as the number of passers-by has declined. The magazine offers homeless people the opportunity to earn legitimate income. | KYODO

A few weeks earlier, the business magazine Diamond (September 9) had published an extensive 36-page section titled “The New Class Society (Made Up of) the Privileged Class and the Impoverished Middle Class,” and based on its descriptions of the how conditions have deteriorated – especially since the start of the pandemic – Kishida will certainly have his work cut out for him.

“Why is no one able to improve their status? Diamond asked in his introduction. “The image of the Japanese as a middle class nation of 100 million people has collapsed as the once strong average in society is rapidly turning into an underclass. In this irrational world, classes are more like “modern castes”, determined by factors such as family lineage, educational level, and economic climate during a person’s tenure. “

In a two-page interview, Waseda University humanities professor Kenji Hashimoto told Diamond that class disparities in Japan started to widen from around 1980, but that “the” corona shock “current has put an end to any illusion of a middle class of 100 million people.”

Hashimoto points out that the government was wrong at the start of the pandemic when it designated which entities were “non-essential”. This decision has had serious repercussions on small retailers, food and beverage companies, and the workers who work there.

Through a survey conducted in Japan’s three major metropolitan areas earlier this year, Hashimoto found that the pandemic had particularly affected two low-income segments of the population. The first group comprises the 7.1 million formerly middle-class households, generally characterized by self-employed or working for a family business. The average annual income of this group fell from 8.05 million yen in 2019 to 6.78 million yen in 2020, and 20.4% of their total fell below the poverty line.

The second group, made up of the 9.13 million households belonging to the so-called subclass, includes housewives and others who are contract workers or part-time employees. They have seen their income affected by fewer working days and reduced hours, the number of days they were unable to get to work and changes in their employment conditions. While their incomes fell by an average of 530,000 yen, this was enough to push an additional 5.3% of them below the poverty line, which impoverished 38% of these households.

While the wealthiest people have also seen their incomes drop, most of them have the assets to circumvent the emergency measures imposed by the pandemic. One of those luxuries is subscription services. Shukan Post (October 8) reviewed the deals offered by luxury hotels in Tokyo, such as the Imperial Hotel.

“The Imperial even set up a beer server in my room, which I really appreciated,” says Mr. A (and the “A” here could mean wealth). The Imperial Hotel, Tokyo offers a 30-day subscription for 750,000, and in A’s opinion, paying that amount makes more sense than wasting the time he needs to conduct business.

“However, I realized one thing is that living in a hotel is surprisingly impractical,” he adds. “The nature of my job makes me stay in hotels all over the country, so coming home to one of them seems a little pointless to me.”

Even though Japan has compulsory national health insurance, a report by Spa magazine (October 5) pointed to stark contrasts in health awareness among people with annual incomes of less than 3 million yen, compared to those who earn 10 million yen or more.

Spa’s survey, conducted last month, looked at 500 men and 500 women, aged 40 to 59. Subjects were asked about exercise, eating habits, hours of sleep per night, frequency of check-ups and reasons for not seeing a doctor.

Compared with 86% of the wealthiest people who gave positive responses, 57% of the lower income bracket said they organize physical exams once or more times a year. (But 20% in the low-income segment responded that they had never had a physical check-up.)

Sadly, some, like 27-year-old day laborer Yoshihiko Fukuchi (a pseudonym), may be beyond the reach of Japan’s social safety net. Spending his nights in an internet cafe when he could afford it and sleeping on park benches when he couldn’t, his diet consisted mostly of instant noodles or shoddy canned food. When work dried up due to COVID-19, he eventually sought a public welfare facility but, four days later, passed out on the street, hitting the back of his head when ‘he fell.

Coming to consciousness in an ambulance, he remembers being more concerned about his ability to pay the hospital bill than his condition. Doctors attributed his fainting to anemia caused by malnutrition, and he refused to be hospitalized.

“The bill was 25,800 yen. I didn’t even have 10,000 in my name, but I took an advance on the boss’s salary where I worked part-time, ”he told Spa. “Fortunately, health insurance stepped in and covered 70% of the costs.”

Kishida, who became prime minister on October 4, clearly faces an uphill battle.

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Arielle Assouline-Lichten designs furniture for everyone https://nihonsun.net/arielle-assouline-lichten-designs-furniture-for-everyone/ https://nihonsun.net/arielle-assouline-lichten-designs-furniture-for-everyone/#respond Thu, 07 Oct 2021 13:13:14 +0000 https://nihonsun.net/arielle-assouline-lichten-designs-furniture-for-everyone/

Brooklyn-based designer Arielle Assouline-Lichten was trained in architecture at Harvard Graduate School of Design and has a substantial resume that includes work for international companies such as Bjarke Ingels Group, Snøhetta, and Kengo Kuma and Associates. Except, says Assouline-Lichten, “I didn’t even go to an architecture school when I wanted to be an architect. I just wanted to learn how to make things physically and know the tools. I always knew I was going to have an alternate path but I didn’t necessarily know what was going to become. She says this in a neutral tone, which is somewhat invigorating given the highly competitive and fast-paced nature of architecture. “I came out of this program without knowing much about the general world of design, which includes furniture and products,” she continues. “I was kind of naively drawn to this small scale as I observed this maker culture in New York City.”

She started offering a host of design services with Slash Projects in 2014. She had followed Sight Unseen magazine‘s groundbreaking reporting on the work of young designers and in 2016 she introduced the idea of ​​an exhibition stand. to SU founders, Monica Khemsurov and Jill Singer, for her designed her first furniture collection and founded her subsidiary, Slash Objects, the same year.

The Lella mirror, launched today, by Arielle Assouline-Lichten of Slash Objects.

Assouline-Lichten has an exceptional flair for enhancing the aesthetics instilled in everyday materials like rubber and stone, and a tendency towards minimalism that stands out in large part due to the integrity of the process in his work. When working on a residential project with an “old New York-inspired palette” that included marble, brass, and steel, she was simultaneously designing a gym and suddenly saw the floor sample in recycled rubber next to the others. Something clicked. “The challenge I set for myself was to take a recycled material that no one would think twice about, and elevate it by pairing it with these other durable and beautiful materials,” she says.

While enrolled in the GSD program, Assouline-Lichten was part of a group of 12 students selected to study for three months in Japan under the supervision of architect Toyo Ito, whose work and research in the aftermath of the tsunami of 2011 were the basis of a series of projects. which directly address the environmental, housing and community issues faced by displaced people living in temporary caravan campsites. “We were thinking about how architecture could play a role in helping to create a sense of community, of belonging and of home,” says Assouline-Lichten. “In fact, as part of my group project, we were designing furniture and solutions on a smaller scale as something that would bring people together and as something that could translate into how the human body really relates to the human body. work built. The design reviews came from architects including Junya Ishigami and Kazuyo Sejima. This helped forge his vision of creating impactful architectural interventions for his master’s thesis titled “The Micro and the Multitude”, and composed of approximately seven “microarchitecture interventions in New York” aimed at transforming our perception of our immediate environment and the urban ensemble. . “It is essentially about the border between art and architecture and how these moments and these interactions with materials can allow us to reframe our preconceived notions of the built world. “

A detail of a Lella mirror.

The next step for Assouline-Lichten is a self-produced show that will coincide with NYCxDESIGN in November 2021. The location of the pop-up is to be determined, but one thing is certain: “I don’t want to do trade shows anymore,” she says. . “It’s not really the right platform, and I want to be open to bring the idea of ​​an experiential show and think about how much more impact it will have for the viewer.” The new pieces, a series of mirrors that intersect with her well-known marble cubes that she finds in slab remains near her Greenpoint studio, are the first in a series of upcoming works that will incorporate sinuous shapes for the first time. “I had never really worked with organic shapes before,” she says, “so the new mirrors are a variation, or maybe an iteration, that connects my earlier work to what I developed on the [Ellen’s Next Great Designer] show in 2020 ”—for which she layered onyx, brass, wood and stone in a four-piece collection called Rift to compete for the grand prize.

Arielle Assouline-Lichten comes from the world of architecture dominated by men and is now part of the world of design a little less dominated by men. She recognizes the importance of rewriting the history of design from an equality perspective. “I’m very inspired by the women who came before me like Eileen Gray, Gae Aulenti and Charlotte Perriand, and I understand what it took for them to create such enduring and impactful work,” she says. It’s something that informs each of his works, an ever-present awareness: “It’s part of the conversation to ensure that women are represented in the creation of furniture. I think it’s pretty crazy that a huge percentage of all the furniture we live in is designed by men.

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Japan’s digital agency gears up for government service as such https://nihonsun.net/japans-digital-agency-gears-up-for-government-service-as-such/ https://nihonsun.net/japans-digital-agency-gears-up-for-government-service-as-such/#respond Thu, 07 Oct 2021 01:31:40 +0000 https://nihonsun.net/japans-digital-agency-gears-up-for-government-service-as-such/

Japan is preparing to digitize government services.

On September 1, Japan launched a new digital agency, a branch of government that oversees the long-awaited digitization of the country’s public services. Japanese politician Takuya Hirai will head the agency while Yoko Ishikura, professor emeritus at Hitotsubashi University, will head the agency.

Ishikura’s appointment signals one of the agency’s main goals: to work closely with experts from outside the government.

Another of the agency’s goals will be to create a “government as a service” infrastructure, or cloud-based IT architecture, allowing national, regional and local governments to migrate from existing IT systems.

As Japan’s national data authority, the Digital Agency will have the power to make recommendations to government departments and organizations to digitize and develop interoperable identification systems.

“The government of Japan often has no idea how good the user experience is for the average citizen. [Establishing a digital agency] is a necessary first step on a long journey of many stages, ”said a Japanese insider Global finance.

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